Vladimir Galouzine
Vladimir Galouzine is indisputably one of the world’s leading dramatic tenors, known for his unrivaled stentorious voice and extremely vivid characterizations of some of the most demanding roles.
He started his career as a member of the Mariinsky Theater in St Petersburg, Russia, performing a myriad of leading roles from both the Russian and the Italian repertoire, including, amongst others: the title roles in Verdi’s Otello and Don Carlo and Rimsky-Korsakov’s Sadko, Radames in Verdi’s Aïda, Calaf in Puccini’s Turandot, Des Grieux in Puccini’s Manon Lescaut, Cavaradossi in Puccini’s Tosca, Alexey in Prokofiev’s The Gamblers, Sergey in Shostakovich’s Lady Macbeth of Mtsensk, Khovansky in Mussorgsky’s Khovanschina, Canio in Leoncavallo’s Pagliacci; and the role of which he is widely considered the world’s most outstanding performer: Hermann in Tchaikovsky’s The Queen of Spades.
He is in much demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals, including: New York’s Metropolitan Opera, Chicago’s Lyric Opera, the San Francisco Opera, the Houston Grand Opera and the Los Angeles Opera in the United States; London’s Royal Opera House, Covent Garden, in the United Kingdom; Milan’s Teatro alla Scala; Venice’s La Fenice, the Teatro Verdi in Trieste, the Teatro Comunale in Bologna as well as Florence’s Teatro Comunale; the Vienna State Opera in Austria; the Opéra National (Bastille) and Théâtre de Chatelet, both in Paris, as well as Toulouse’s Théâtre de Capitole and the Marseille Opera in France; Madrid’s Teatro Real and Barcelona’s Grand Teatre del Liceu in Spain; both the Mariinsky Theater in St. Petersburg and the Bolshoi Theater in Moscow, Russia; Amsterdam’s Nederlandse Opera in The Netherlands; the Deutsche Oper Berlin, the Cologne Opera and the Baden-Baden Festspielhaus in Germany; the New National Theater in Tokyo, Japan; the New Israeli Opera; and the Teatro Colón in Buenos Aires, Argentina. In addition, he has performed at the Salzburg, Bregenz and Edinburgh Festivals and Washington’s Kennedy Center; London’s Royal Albert Hall; the Chorégies d’Orange and the Arena di Verona.
Vladimir Galouzine has collaborated with many of the world’s most important conductors including Valery Gergiev, Carlo Rizzi, James Conlon, Dennis Russell Davies, Marcello Viotti, and stage directors such as Franco Zeffirelli, Graham Vick, August Everding, Giancarlo Del Monaco and Elijah Moshinsky.
Amongst his many accolades, he was distinguished with the title of National Artist of Russia in 2007, and was awarded an honorary doctorate from the National University of Music in Bucharest in 2008.
He started his career as a member of the Mariinsky Theater in St Petersburg, Russia, performing a myriad of leading roles from both the Russian and the Italian repertoire, including, amongst others: the title roles in Verdi’s Otello and Don Carlo and Rimsky-Korsakov’s Sadko, Radames in Verdi’s Aïda, Calaf in Puccini’s Turandot, Des Grieux in Puccini’s Manon Lescaut, Cavaradossi in Puccini’s Tosca, Alexey in Prokofiev’s The Gamblers, Sergey in Shostakovich’s Lady Macbeth of Mtsensk, Khovansky in Mussorgsky’s Khovanschina, Canio in Leoncavallo’s Pagliacci; and the role of which he is widely considered the world’s most outstanding performer: Hermann in Tchaikovsky’s The Queen of Spades.
He is in much demand internationally, performing regularly during the last two decades as a guest of most of the world’s most prominent opera houses, concert halls and festivals, including: New York’s Metropolitan Opera, Chicago’s Lyric Opera, the San Francisco Opera, the Houston Grand Opera and the Los Angeles Opera in the United States; London’s Royal Opera House, Covent Garden, in the United Kingdom; Milan’s Teatro alla Scala; Venice’s La Fenice, the Teatro Verdi in Trieste, the Teatro Comunale in Bologna as well as Florence’s Teatro Comunale; the Vienna State Opera in Austria; the Opéra National (Bastille) and Théâtre de Chatelet, both in Paris, as well as Toulouse’s Théâtre de Capitole and the Marseille Opera in France; Madrid’s Teatro Real and Barcelona’s Grand Teatre del Liceu in Spain; both the Mariinsky Theater in St. Petersburg and the Bolshoi Theater in Moscow, Russia; Amsterdam’s Nederlandse Opera in The Netherlands; the Deutsche Oper Berlin, the Cologne Opera and the Baden-Baden Festspielhaus in Germany; the New National Theater in Tokyo, Japan; the New Israeli Opera; and the Teatro Colón in Buenos Aires, Argentina. In addition, he has performed at the Salzburg, Bregenz and Edinburgh Festivals and Washington’s Kennedy Center; London’s Royal Albert Hall; the Chorégies d’Orange and the Arena di Verona.
Vladimir Galouzine has collaborated with many of the world’s most important conductors including Valery Gergiev, Carlo Rizzi, James Conlon, Dennis Russell Davies, Marcello Viotti, and stage directors such as Franco Zeffirelli, Graham Vick, August Everding, Giancarlo Del Monaco and Elijah Moshinsky.
Amongst his many accolades, he was distinguished with the title of National Artist of Russia in 2007, and was awarded an honorary doctorate from the National University of Music in Bucharest in 2008.