26.04.2017
May in the city
Some good news for those of you that are staying in the city for the May holidays: a schedule of Giacomo Puccini’s Tosca, Nacho Duato’s popular ballet Multiplicity. Forms of Silence and Emptiness and the operatic premiere of Mozart. The Marriage of Figaro.
The renowned conductor Ara Karapetyan will take the baton on 02 May for the wonderful Tosca — one of the finest works in the operatic repertoire.
On 03, 04, and 05 May, Multiplicity. Forms of Silence and Emptiness will be performed. This work brought choreographer Nacho Duato the Benois de la Dance, the highest award in ballet. The remarkable, beautiful story of the creative path of Johann Sebastian Bach tells how music is born and, separating from the author, continues to live its own life.
On 11, 12, and 14 May, lovers of opera can look forward to the premiere of Mozart. The Marriage of Figaro staged by the young director Vyacheslav Starodubtsev. The story is, above all else, about love. About love, and about marriage, which gives love form and serves to some extent as a test of its resilience. In creating the production, the director was inspired by chinoiserie, an imitation of Asian motifs brought from China by European travellers, which was popular in Mozart’s time.
The renowned conductor Ara Karapetyan will take the baton on 02 May for the wonderful Tosca — one of the finest works in the operatic repertoire.
On 03, 04, and 05 May, Multiplicity. Forms of Silence and Emptiness will be performed. This work brought choreographer Nacho Duato the Benois de la Dance, the highest award in ballet. The remarkable, beautiful story of the creative path of Johann Sebastian Bach tells how music is born and, separating from the author, continues to live its own life.
On 11, 12, and 14 May, lovers of opera can look forward to the premiere of Mozart. The Marriage of Figaro staged by the young director Vyacheslav Starodubtsev. The story is, above all else, about love. About love, and about marriage, which gives love form and serves to some extent as a test of its resilience. In creating the production, the director was inspired by chinoiserie, an imitation of Asian motifs brought from China by European travellers, which was popular in Mozart’s time.
