Register Your Cart

Riccardo  Massi

Riccardo Massi

Riccardo Massi has gained international recognition as an exciting Italian spinto tenor, having been heard in such theaters as the Royal Opera House  Covent Garden, Berlin State Opera, German Opera in Berlin, Rome Opera, Metropolitan Opera, Zürich Opera House, Norwegian Opera in Oslo, Royal Swedish Opera in Stockholm, Bavarian State Opera in Munich, Turin Royal Theatre, and Opera Australia.

In season 2018/19, he made his role debut as Gabriele Adorno in Verdis Simon Boccanegra with Marseille Opera, after which he reprised the roles of Des Grieux in Puccinis Manon Lescaut and Riccardo in Verdis Un ballo in maschera at the Bolshoi Theatre in Moscow. Massi also debuted at the Comunale Theatre in Bologna as Manrico in Verdis Il trovatore, appeared as Calaf in Puccinis Turandot with the Guadalajara Philharmonic Orchestra and made his debut with the Washington National Opera as Cavaradossi in Puccinis Tosca. In season 2017/18, Massi debuted at the Los Angeles Opera as Don José in Bizets Carmen and at the Hamburg State Opera as Cavaradossi. He also sang Cavaradossi at Covent Garden and with the KBS Symphony in Seoul and appeared as Radamès in Verdis Aida at the Colon Theatre in Buenos Aires, Opera Australia, and Opera Hong Kong. Engagements for season 2016/17 included his return to the Metropolitan Opera as Radamès, his role debut as Des Grieux in a new production of Manon Lescaut at the Bolshoi Theatre and at the Berlin State Opera, his debut at the New National Theatre Tokyo as Pinkerton in Puccinis Madama Butterfly, and Calaf at the Cologne Opera. In season 2015/16, Massi sang Cavaradossi in Tosca at Covent Garden and Semperoper, Radamès at the Turin Royal Theatre, Calaf at the Zürich Opera, Opera Australia and Bregenz Festival, and Rodolfo in Verdis Luisa Miller with Opera Australia. He began season 2014/15 with his debut at the Norwegian Opera as Pinkerton. Riccardo Massi then sang Enzo in Ponchiellis La Gioconda for his debut with the Marseille Opera, Cavaradossi with Opera Australia, Riccardo in Un ballo in maschera at La Monnaie, Don José at the German Opera in Berlin, Verdis Requiem at the Genève Theatre, and Calaf for his debut at the Bregenz Festival. His engagements for season 2013/14 included his debut at the Houston Grand Opera as Radamès, his debut at the Royal Opera House as Cavaradossi, and his debut as the title role in Giordanos Andrea Chenier in Stockholm. At the start of season 2012/13, Riccardo Massi sang his first Manrico for the Canadian Opera Company. He then sang Riccardo at the Basel Theatre in Switzerland, Calaf in a new production of Turandot at the Royal Swedish Opera, Radamès for his debut at the Michigan Opera, and Don Alvaro in Verdis La forza del destino with Opera Australia. In season 2011/12, Massi sang Cavaradossi at the Bavarian State Opera, Turin Royal Theatre, Champs-Elysées Theatre, Berlin State Opera, Avignon Opera, and in Rio de Janeiro for his South American debut. He also sang Pollione in Bellinis Norma and Arrigo in Verdis La battaglia di Legnano at the Rome Opera, Don Alvaro at the Colón Theatre in Buenos Aires, and Enzo in a concert performance of La Gioconda at the Concertgebouw in Amsterdam, opposite Eva-Maria Westbroek.

Riccardo Massi developed his vocal technique in Rome with David Holst, who has since been his sole mentor. After receiving an invitation to join La Scala Academy, Massi made his operatic debut in December of 2009 as Radamès in Salerno under Daniel Oren. He subsequently sang his first Cavaradossi with the Salzburg State Theatre and then added Pollione to his répertoire in Lima, Peru. In the summer of 2010, Massi made his Glyndebourne Festival debut as Malcolm in Verdis Macbeth, making his German operatic debut in October of 2010 as Cavaradossi at the Berlin State Opera. He later debuted at the Giuseppe Verdi Theatre in Trieste as Jacopo Foscari in Verdis I due Foscari and at the Rome Opera as Arrigo in La Battaglia di Legnano. In the spring of 2011, Massi made his North American debut in Tosca with the Palm Beach Opera, later performing the same work in concert at the Verbier Festival in Switzerland under Gianandrea Noseda. Other roles in Massis developing repertoire include the title roles in Ernani and Don Carlos, Arrigo in I vespri siciliani, and Maurizio in Adriana Lecouvreur by Verdi.

  • 25November
    Mon, 19:00

    Aida

    opera in four acts

  • 27November
    Wed, 19:00

    Aida

    opera in four acts

  • 29November
    Fri, 19:00

    Aida

    opera in four acts

USER AGREEMENT



1. GENERAL PROVISIONS

1.1.    This User Agreement (hereinafter referred to as the Agreement) defines the procedure for accessing the website of the St. Petersburg State Funded Cultural Institution, the St. Petersburg Mussorgsky State Academic Opera and Ballet Theatre Mikhailovsky Theatre (hereinafter referred to as the Mikhailovsky Theatre) located at the domain www.mikhailovsky.ru.

1.2. This Agreement regulates the relationship between the Mikhailovsky Theatre and the users of this website.



2. DEFINITION OF TERMS

2.1. For the purposes of this Agreement, the terms indicated below shall have the following meaning:

2.1.2. Mikhailovsky Theatre Site Administrators those employees authorized to manage the website, acting on behalf of the Mikhailovsky Theatre.

2.1.3. User of the Mikhailovsky Theatre Site (hereinafter the User) a person having access to and using the website via the Internet.

2.1.4. Site the Mikhailovsky Theatre website located at the domain www.mikhailovsky.ru.

2.1.5. Content of the Mikhailovsky Theatre Site the protected results of intellectual activity, including extracts from audiovisual productions, their names, forewords, annotations, articles, illustrations and covers, with or without text, graphic, textual, photographic, derived, composite, and other works, user interfaces, visual interfaces, logos, and also the design, structure, selection, coordination, external appearance, general style, and placement of the Content making up the Site and other intellectual property whether together and/or separately contained in the Mikhailovsky Theatre Site and the Personal Area, from where it is then possible to purchase Mikhailovsky Theatre tickets.



3. SUBJECT OF THE AGREEMENT

3.1. The subject of this Agreement is the provision to the User of access to the services available on the Site.

3.1.1. The Mikhailovsky Theatre Site shall provide the following services to the User:

- access to information about the Mikhailovsky Theatre and information about how to purchase tickets

- purchase of electronic tickets

- discounts, promotions, concessions, and special offers

- receipt of information about Theatre news and events, including via news and information distribution services (email, phone, text message)

- access to electronic content, with the right to view such content

- access to search and navigation tools

- the opportunity to post messages and comments

- other services provided through the pages of the Mikhailovsky Theatre Site

3.2. This Agreement covers all services existing (or functioning) at the present time on the Mikhailovsky Theatre Site, and any subsequent modifications to them and additional services which may appear in the future.

3.2. Access to the Mikhailovsky Theatre Site shall be provided free of charge.

3.3. This Agreement is a public offer. In obtaining access to the Site, the User shall be deemed to have opted in to this Agreement.

3.4. Use of the materials and services on the Site shall be governed by the provisions of current Russian Federation legislation.



4. RIGHTS AND OBLIGATIONS OF THE PARTIES

4.1. The Mikhailovsky Theatre Site Administrators shall have the right:

4.1.1. To change the rules for use of the Site and to change the Content of the Site. Changes to usage rules shall enter into force from the moment the new version of the Agreement is published on the Site.

4.2. The User shall have the right:

4.2.1. User registration on the Mikhailovsky Theatre Site shall be for the purpose of identifying the User in order to provide Site services, distribute information and news (by email, post, telephone, text message, or other means), and to obtain feedback and a record of the provision of concessions, discounts, special offers, and promotions.

4.2.2. To use all of the services available on the Site.

4.2.3. To ask any questions relating to the information presented on the Mikhailovsky Theatre Site.

4.2.4. To use the Site solely for the purposes and in the manner provided for by this Agreement and not prohibited by Russian Federation legislation.

4.3. The User shall:

4.3.2. Take no action which may be considered to be in breach of the normal functioning of the Site.

4.3.3. Avoid any actions which may result in a breach of confidentiality with regard to information protected by Russian Federation legislation.

4.4. The User may not:

4.4.1. Use any device, program, procedure, algorithm or method, automated devices, or similar manual processes in order to access, acquire, copy, or track the Content of the Site.

4.4.3. Circumvent in any way the navigational structure of the Site in order to obtain or attempt to obtain any information, documents, or material by any means which are expressly not provided by the Site services;

4.4.4. Breach the security or authentication systems of the Site or any network associated with the Site. Carry out reverse searches, track, or attempt to track any information about any other User of the Site.



5. USE OF THE WEBSITE

5.1. The Site and the Content contained therein belong to and are managed by the Mikhailovsky Theatre Site Administrators.

5.2. The Content of the Site may not be published, reproduced, transferred, or distributed by any means, nor posted on the worldwide networks of the Internet without the written consent of the Site Administrators.

5.5. The User shall be personally responsible for the confidentiality of the information in his/her account, including his/her password, and for all activity, without exception, which is carried out on behalf of the User of the account.

5.6. The User must immediately notify the Site Administrators of any unauthorized use of his/her account or password, or of any other breach of the security system.



6. LIABILITY

6.1. Losses which the User may suffer in the event of a deliberate or negligent breach of any provision of this Agreement, or as a consequence of unauthorized access to the communications of any other User, shall not be reimbursed by the Mikhailovsky Theatre Site Administrators.

6.2. The Mikhailovsky Theatre Site Administrators shall not be liable for:

6.2.1. Delays or malfunctions in the process of carrying out operations arising as a result of force majeure circumstances, nor for any faults in the telecommunications, computer, electronic, or other related systems.

6.2.2. The actions of banking, transfer, and payment systems, nor for delays connected with their operation.

6.2.3. Improper functioning of the Site in cases where the User does not have the technical equipment required for its use, nor do the Administrators accept any obligation to provide Users with such equipment.



7. BREACH OF THE TERMS OF THIS USER AGREEMENT

7.1. The Mikhailovsky Theatre Site Administrators shall have the right to terminate and/or block access to the Site, without prior notice to the User, if the User has breached this Agreement or the terms of use of the Site contained in other documents, or in the event of the Site ceasing to function, or due to technical glitches or problems.

7.2. The Site Administrators shall not be liable to the User or third parties for termination of access to the Site in the event of a breach by the User of any of the provisions of this Agreement or any other document containing the terms of use of this Site.

7.3. The Site Administrators shall have the right to disclose any information about the User as may be necessary for the execution of the provisions of current legislation or judicial rulings.



8. DISPUTE RESOLUTION

8.1. In the event of any disagreements or disputes arising between the Parties to this Agreement, a mandatory condition before resorting to the courts is that a claim should be submitted (a written proposal for voluntary resolution of the dispute).

8.2. The recipient of the claim shall, within 30 calendar days of receipt, notify the claimant in writing of the results of consideration of the claim.

8.3. If it is not possible to settle the dispute by voluntary means, either Party may apply to the courts for protection of their rights as provided for under current Russian Federation legislation.



9. ADDITIONAL PROVISIONS

9.1. In opting in to this Agreement and leaving his/her information on the Mikhailovsky Theatre Site by completing the registration form, the User:

9.1.1. Consents to the processing of the following personal information: full name; date of birth; telephone number; email address; payment details (if the service is used to purchase electronic tickets to the Mikhailovsky Theatre);

9.1.2. Confirms that this personal information belongs to him/her personally;

9.1.3. Gives the Mikhailovsky Theatre Site Administrators the right to carry out, without limit in time, the following actions (operations) with his/her personal information:

- collection and accumulation

- storage for an unlimited period of time (indefinitely) from the moment that the information is provided until it is recalled by the User by means of an application to the Site Administrators

- clarification (renewal, modification)

- destruction

9.2. The User's personal information shall be processed in accordance with Article 6.1.5 of Federal Law No. 152-FZ dated 27.07.2006 On Personal Information, solely for the purposes of performing the obligations accepted by the Mikhailovsky Theatre Site Administrators under this Agreement with respect to the User, including those indicated in clause 3.1.1 of this Agreement.

9.3. The User accepts and confirms that all of the provisions of this Agreement and the terms of processing his/her personal information are understood by him/her, and expresses his/her consent with the terms of processing his/her personal information without reservation or limitation. The Users consent to the processing of his/her personal information is specific, informed, and conscious.